I am interested in finding some examples of four-character idioms that contain exactly a pair of allusions, different in source but similar in nature, that were often compiled by a specific literary author. Consider the following:
Idiom | Allusive pair | Source |
---|---|---|
成仁取義 | 孔曰成仁,孟曰取義 | 文天祥《自贊》 |
泣歧悲染 | 楊朱泣歧路,墨子悲染絲 | 阮籍《詠懷》 |
環肥燕瘦 | 短長肥瘦各有態,玉環飛燕誰敢憎 | 蘇東坡《孫莘老求墨妙亭詩》 |
沈魚落雁 | 毛嬙、麗姬,人之所美也,魚見之深入,鳥見之高飛 | 《莊子·齊物論》 |
顏筋柳骨 | 曼卿之筆,顏筋柳骨 | 范仲淹《祭石學士文》 |
Some have separate sources:
Idiom | Allusion 1 | Allusion 2 |
---|---|---|
懸樑刺股 | (蘇秦)讀書欲睡,引錐自刺其股,血流至足(劉向《戰國策·秦策一》) | (孫敬)及至眠睡疲寢,以繩系頭懸屋梁(班固《漢書》) |
閉月羞花 | 彷彿兮若輕雲之蔽月(曹植《洛神賦》) | 秀色掩今古,荷花羞玉顏(李白《西施》) |
斷袖分桃 | 不欲動賢,乃斷袖而起(《漢書·佞幸傳》) | 食桃而甘,不盡,以其半啖君(韓非子《說難》) |
結草銜環 | 顆見老人結草以亢杜回(《左氏傳·宣公》) | 以白環四枚與寶(吳均《續齊諧記》) |
Examples of what I do not consider as four-character idioms that contain an allusive pair:
- 撲朔迷離: the two are not distinct in terms of their source, as there is no further allusion in the《木蘭辭》couplet 雄兔腳撲朔,雌兔眼迷離.
- 南陽諸葛廬,西蜀子雲亭: the two are indeed two separate individuals in 劉禹錫《陋室銘》, but the expression is not idiomatic enough, let alone reducible into a four-character idiom.
I am sure there are more idioms like so, but I cannot think of a specific repertoire for this purpose (nor any more illustrative examples!) at the moment.